Charles Arrowsmith

Review: Change by Édouard Louis (Washington Post)

Review: The Bloodied Nightgown by Joan Acocella (LA Times)

Review: You Dreamed of Empires by Álvaro Enrigue (Washington Post)

Review: A Memoir of My Former Self by Hilary Mantel (Boston Globe)

Review: Blackouts by Justin Torres (Washington Post)

Review: Be Useful by Arnold Schwarzenegger (LA Times)

Review: The Wolves of Eternity by Karl Ove Knausgaard (Washington Post)

Review: Life, Liberty, and the Pursuit of Happiness by Peter Moore (Washington Post)

Review: Four New History Books (Washington Post)

Review: The Late Americans by Brandon Taylor (Boston Globe)

Review: Berlin by Bea Setton (Washington Post)

Essay: Dante by Thomas Adès and the LA Phil (Nonesuch Records)

Review: Flux by Jinwoo Chong (Washington Post)

Feature: Stanley Kubrick's The Shining—An Interview with Lee Unkrich (LA Times)

Opinion: The Oscars 2022 (The Independent)

Review: The Shards by Bret Easton Ellis (LA Times)

Review: A Left-Handed Woman by Judith Thurman (LA Times)

Perspective: Proust’s death, 100 years ago, was an ending but not the end (Washington Post)

Review: Stay True by Hua Hsu (Washington Post)

Review: The English Understand Wool by Helen DeWitt (LA Times)

Review: A Woman's Battles and Transformations by Édouard Louis (LA Times)

Review: Either/Or by Elif Batuman (Washington Post)

Review: The Palace Papers by Tina Brown (LA Times)

Opinion: The Oscars 2021 (The Independent)